The collection of art is impressive boasting a matte royal blue statue from French Nouveau Realism great Yves Klein (Venus Bleue, 1961, pigment on plaster). Klein patented International Klein Blue, this pigment mixed with a special agent that maintains the color's intensity across mediums—canvas, paper, wood, plaster, glass. He believed that monochrome 'represents the idea of absolute unity in perfect serenity' and that this vibrant blue hue, specifically, 'awakens spiritual energy'. Klein is often attributed to being a leader of performance art, for example, painting models in his signature color and having them roll their bodies on canvas to one monotone of music—boom, a new creative outlet was born.
Another piece, a mirror-box lined with red neon tube lights, creates an infinite look to the reflection, as if we could reach our arm through and down a never-ending hallway.
For a moment there was no one around us but the walls and the art.
It was serene, and humbling—and for the emotion it withdrew, demanded acknowledgement and respect. The time gave us an Inception second to respond to our surroundings and wishfully anticipate what might come next in our progressive French dining experience.
The main dining room is simple and elegant, with tall walls white as snow lined with floor length flowing curtains. As the room expanded over the course of our experience, the gorgeous, various shaped wine glasses created a frame around an Andy Warhol piece of Marilyn Monroe (Marilyn reversal series, 1979.1986, synthetic polymer paint and silkscreen on canvas).
The artistry seamlessly continues throughout the Chef's Collection of nine whimsical courses that delight and inspire. Executive chef Anthony Martin has led the kitchen solely at Tru since 2010, working as chef de cuisine previously and earning stripes at Las Vegas resorts Wynn and MGM. Young at thirty years old, he earned the honor of being named Chef of the Year 2010 by the Chicago Tribune.
Martin created 'caviar' with smoked sturgeon made into a mousse by mixing wine, spices and gelatin. When extracted into a syringe, the mousse easily releases into a cold oil bath turning it into tiny pellets that closely resemble luxurious fish eggs frequently shared with chilled vodka in Russia.
The caviar was light and tasty and combined well with the richness of the avocado spread it rested on in a tin jar. Further, the jar was perched on a pile of coarse sea salt. Unlike real caviar, the mousse pellets lacked the burst when we bite-in. You can watch Martin explain his creative process on YouTube. He initially made the video for a Dinner Party earlier in the year.
Elegantly put together in a large, clean white bowl, stacked atop two layers of plain white plates, the golden yellow of the squash soup brightened the table. The soup was creamed with small cubes of al dente squash drizzled with bright hints of alba white truffle. Beside the cup was a burgundy harvest garnish that foiled the leaf shaped Parmesan crackers resting on a stack of white linens. The terroir of the rich mushroom was emboldened with each sip of the Guiberteau Chenin Blanc with zesty citrus notes.
Foi gras was served beautifully seared, surrounded by a ring of round droplets so that from a distance the dish looks almost planetary in a white abyss. Every bite was buttery, flavorful and light.
In 2006 the City of Chicago banned foi gras, which is fattened duck liver enhanced by force feeding the animals. The inclusion of foi on menus has been a point of controversy in the culinary world for some time. Tru and Spiaggia mimicked the delicacy in two different ways shortly after the ban (which has since been lifted) impressing the Tribune's food critic Phil Vettel. Even though the dish was tasty, it will probably be my last time for foi.
The grand finale of Tru's culinary performance was a dessert of vanilla parfait, compressed pineapple and banana. The fruits rested on a square mirror clutched in a small white monkey's hands. The delivery was bold. It was fresh—and we shared a wonderful laugh about it. The finale gave us one final dig into a world of food just as unique as our exhibit-like surroundings.
Tru proved to be a wonderful culinary adventure. Each course was paired with wine from all over the world - California, Greece and France to name a few. It was exciting to try wines with varied terroir that boldened every dish. All together the experience was stretching; it expanded my concept of dining, food, art and performance, surely a Warhol-approved evening.
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